Yep, a Red Letter Day for me… and a humungous learning curve. And yes, I’m here treating myself to a glass of Old Brown Sherry (it’s winter here in South Africa, and Old Brown is something of a tradition…) and feeling just a little smug and Cheshire-Cat pleased with myself… I have that kind of warm fuzzy feeling that comes along once in a while, and I’m gonna make the most of every minute of it!
So, you might well ask, why the self-satisfied smirk? Well I just did something I never thought I would. Not only that, I did a pretty darn good job of it too (even if I do say so myself). I DID MY OWN COVER for A Thick Black Line!
It’s an odd thing, really, how we writers somehow assume that our poor cover artists have a masters in mind reading… of course they can see right into our little writer heads and instantly transform the slightly fuzzy picture there into a masterpiece. What was I thinking? I have to tell you, cover artists now inhabit a place of awe and respect in my world…
First of all, there’s the matter of hunting for images… which of course have to look exactly like the couple in said little writer head. Nothing less will do. I just hadn’t realised how long it takes to hunt through megazillions of images, or how hard it is to find just the right hair colour, expression, mood, not to mention age… oh, and of course, couples with clothes on (once you’ve cropped and sized that wonderful him and her image, both in swimwear, you seem to end up with two people who look decidedly like they’re both stark naked…)
So fine, yippedy-do, we find and buy the image. Then we have to choose a background, the other significant bits that need to be brought in without detracting from the couple while providing important clues as to the plot, the feel, the mood of the book. Then it’s the text – which kind, how big, what colour… all on one line, or separated over two or more?… where exactly, how to balance it with the images…
Like I said, a learning curve… getting your (very) basic graphics software to behave like Photoshop is a challenge all on its own, not to mention which to fade and which not to fade, and how to avoid the different components looking like they’ve just be cut and pasted (which they have, lol, but shouldn’t look like it…)
Still it was worth the effort. And I’m really glad I made this somewhat lunatic excursion into the realm of cover artistry. (It might have frazzled the mind en route, but I think once I’ve got over that it will also have broadened it a little). And, aside from the stress and anxiety while awaiting the publisher’s response, it was a whole lotta fun. Fortunately the publisher thought it was great (and spared me the urgh! of having to deal with rejection, lol), and I now get to enjoy the fruits of my labours (and my dementia!) for a long time to come…
And here it is – my “masterpiece” (which I keep sneaking a look at) for the cover of A Thick Black Line which is due for release very soon. Just the right sense of the dramatic, the sinister, and the romance – and living proof that we can do pretty much anything if we’re committed enough. And I’ve included the blurb below so you can see what I mean…
Blurb:
Bo Carmichael has drawn a thick black line around her heart, and with good reason. She has worked hard to overcome the anguish of betrayal and the devastation it wreaked in her family’s lives, and she’s now close to realizing her dreams. There simply isn’t place in this equation for emotional entanglements, especially not with Nic Sinclaire, the only man who has the ability to breach her defenses.
From their first encounter, an impossible chemistry rages between them – a crackling heat that threatens to melt the ice surrounding her.
A bizarre twist makes Nic a constant companion and self-appointed protector. As Bo’s barriers shift and crumble, she can no longer ignore the powerful emotions his proximity evokes…
Here’s the link: http://www.bookstrand.com/product-athickblackline-13953-330.html
Thanks for letting me share – I’ll chat again soon.
Jude